Production

Named after the African cinema classic, Yeelen journeys to Bamako to make a movie about the enigmatic elder who inspired their name. Souleymane Cisse, director of YEELEN, readily assumes the role of godfather to the multimedia artist, but soon begins questioning the millennial’s vision. What starts as a playful personal documentary about the origin of a name, spirals into an existential interrogation of representation, collective imagination, and the power manifested through image creation.

DEAR YOU is a story of love and longing, anchored around the slow-burning internal evolution of Grace James, a Pacific Islander woman seeking asylum in the US from her abusive husband. When Grace begins attending dance therapy, she must process the realities of her life: the ever-present threat of deportation, haunting recurring memories of domestic abuse, and the rising tides of climate change impatiently consuming her homeland.

After attempting to change their wayward queer heir, a desperate family resorts to a masquerade that tests the limits of love, generational ties, and transnational understanding.

Long before the internet and social media confirmed the possibilities of video as a genuinely decentralized and vernacular medium, Liz and Bree were recording VHS video of themselves while making a documentary about transnational adoptees in Iowa. Reaching back through an extensive tape archive, Midwaste 2: Blood Opus (working title) reconstructs the project Bree and Liz were making then, chronicles a pre opioid epidemic Midwest drug scene, and traces the structural and systemic forces running through each of their lives during the decades after.

Prison birth is grim—a mother is shackled to a hospital bed, surrounded by armed guards, and her child is taken from her after delivery. You Don’t Know My Name confronts the often overlooked injustice of forced family separation and the generational trauma wrought by the prison system. Director Tommy Franklin is a formerly incarcerated filmmaker who longs for a mother he never knew. He was taken from her in prison as an infant and placed in the foster system. As a newborn, he was adopted by a white Minnesotan family. He begins therapy to better understand his internal world and [...]

Once Oakland’s largest homeless encampment, Wood Street is the last stop for unhoused “brothers,” John and LaMonté. They moved there eight years ago after police pushed them from other encampments around the city. After a devastating fire, their tight-knit community faces eviction. It’s their goal to stop it.